豐情圳永 葫蘆墩
跨越世代的圳水，流著地域的生命 - 水清、米白、查某水
豐原之盛情，圳水之雋永，葫蘆墩和葫蘆墩圳之間的耐久尋味。
一棟日式建築，1930年就存在的頂街派出所，空間記載著歷史，一場翻閱書寫，「水清、米白、查某水」，時光理解了生活。圳水聚合所成的稻田榮景，一樣米養百樣人，一條圳富饒豐原36里，富足了豐原餅業和林木業的發展，葫蘆墩圳的澆沃與豐潤，早期的風光，近代的繁榮，我們對豐原的感知不再只是小吃與信仰，40年的等待，重新看見葫蘆墩圳的生命流動。我們將豐原的事與物，遺留的記憶與情感，在這裡重組作為翻閱的起點，打開你對圳水的共鳴。
現在，你只要專注體會一個歷史場域，一場時空情境，一條圳水的深厚羈絆。開啟頂街派出所的大門，進來吧！
In the cross generation canal, water flows with the life of the region - clear water, white rice, beautiful women
Kind Fengyuan, meaningful canal water, and intriguing relation between Huludun and Huludun Canal.
Dingjie Police Station, a Japanese building built in 1930, records the history for one to understand life through reading about times of "clear water, white rice and beautiful women".The thriving rice fields at the convergence of canal waters grow the same rice for all kinds of people. The canal enriches 36 villages in Fengyuan, giving rise to the great development of the bakery industry and forestry in Fengyuan. The early glory and modern prosperity of the rich Huludun Canal have changed our perception of Fengyuan to more than delicious snacks and religion. After waiting for 40 years, we can see again life flowing in Huludun Canal. We reorganized the things of Fengyuan, the lost memories and emotions into a starting point for recollection to evoke resonance for the canal.
You now only have to concentrate on experiencing one historical site, one time-space situation, and one canal's profound bonds. Open the door of Dingjie Police Station and come on in!
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· 展期：107/10/28（日）-107/12/02（日）
· 展覽場地：頂街派出所
· 地址：臺中市豐原區中正路5號
· 開放時間：每日10:00-18:00
::一里一里收集，匯聚豐饒36::
豐原舊名為葫蘆墩，有一說是為先住民稱之「泰耶爾墩」，即為原始景觀，松柏林之意。
二說為以本市舊有「墩腳」與下南，坑有三小丘， 墩頭、墩身、墩腳，形如葫蘆，故取其名。
在縣市合併後，帶來了城市與區里的改變，將豐原拆解為36里，透過字體再造和翻製，拼湊與疊合豐原過往的生活，還原豐饒36里的生活樣貌：「 豐葦之原，瑞穗之國 」。
邀請六位創作者將豐原36里之里名，各分配6里進行系列字體創作，並於台中市豐原區 頂街派出所展出。
二說為以本市舊有「墩腳」與下南，坑有三小丘， 墩頭、墩身、墩腳，形如葫蘆，故取其名。
在縣市合併後，帶來了城市與區里的改變，將豐原拆解為36里，透過字體再造和翻製，拼湊與疊合豐原過往的生活，還原豐饒36里的生活樣貌：「 豐葦之原，瑞穗之國 」。
邀請六位創作者將豐原36里之里名，各分配6里進行系列字體創作，並於台中市豐原區 頂街派出所展出。
早期的葫蘆墩圳可說豐原的命脈，豐厚的水源除了孕育出金黃色的稻穗，也帶給豐原繁榮的光景。淙淙的流水聲、農人犁田的背影，白鷺鷥一步步啄食小蟲的畫面，都是葫蘆墩圳曾與我們兒時的印記。
字體設計主結構以「掀」為主軸，如日曆微微掀開的概念，象徵時光倒流回到早期的河圳時代，其次加入農耕的背景，早期葫蘆墩圳為灌溉農田，當農人翻土耕田時總會吸引許多白鷺鷥的目光翽翽而來，優雅地輕踩泥巴尋找獵物蹤跡，故字體設計上有著白鷺鷥的足跡，而足跡的分佈是依該里的稻田分佈位置與密集度而設定，觀者能依足跡的方向及密集度間接地暸解該里的生態環境。
Huludun Canal can be said to be the lifeline of Fengyuan in early time. In addition to cultivating golden rice ears, the plentiful water source also brought prosperity. The gurgling sound of the stream, the view of the backs of plowing farmers, and the scene of egrets pecking little worms; these are our impression of Huludun from our childhood.
The main structure of script design adopts”lift” as the principle axis, using the concept of lifting the calendar pages slightly to symbolize going back in time to the early river channel age. Farming is added as the background because Huludun Canal irrigated rice fields in the early days, and plowing farmers would attract egrets to come and step gracefully on the mud to find preys. Thus, egret footprints are included in script design. The distribution of footprints are determined according to the location and density of rice fields in a village, so viewers can understand indirectly the ecological environment of the village through the direction and density of footprints.
Huludun Canal can be said to be the lifeline of Fengyuan in early time. In addition to cultivating golden rice ears, the plentiful water source also brought prosperity. The gurgling sound of the stream, the view of the backs of plowing farmers, and the scene of egrets pecking little worms; these are our impression of Huludun from our childhood.
The main structure of script design adopts”lift” as the principle axis, using the concept of lifting the calendar pages slightly to symbolize going back in time to the early river channel age. Farming is added as the background because Huludun Canal irrigated rice fields in the early days, and plowing farmers would attract egrets to come and step gracefully on the mud to find preys. Thus, egret footprints are included in script design. The distribution of footprints are determined according to the location and density of rice fields in a village, so viewers can understand indirectly the ecological environment of the village through the direction and density of footprints.
指導機關｜台中市政府
主辦機關｜台中市政府水利局
協辦機關｜台中市政府文化局
執行單位｜嶺東科技大學 文化創意產業研發中心
設計單位｜樸實創意、中間研究室
發行人｜周廷彰
策劃協助｜廖健堯、徐瑞旻
策展人｜許哲瑜、郭中元
參展人｜廖浩哲、伏流物件、施真穎、林彥良、田修銓、顏暐倫、廖韡、林郁書、楊少鈞
統籌企劃｜秦安慧、詹雅棋
執行企劃｜傅玥敏
執行文案｜王文琳、吳靜芬
展覽空間設計｜蔡承叡
展覽影像紀錄｜吳政璋、黃覺深、楊俊嶢、吳昕聰、李宥融
葫蘆墩圳品牌設計｜中間研究室
視覺設計團隊｜郭中元、黃煒仁、吳鷗翔、陳也維
商品設計｜王子維
感謝單位｜樂誠創意、東玖紙業、光山行漆器工藝、昱盛印刷、寶泉甘味手造所、義華餅行、老雪花齋、正旺碾米工廠
主辦機關｜台中市政府水利局
協辦機關｜台中市政府文化局
執行單位｜嶺東科技大學 文化創意產業研發中心
設計單位｜樸實創意、中間研究室
發行人｜周廷彰
策劃協助｜廖健堯、徐瑞旻
策展人｜許哲瑜、郭中元
參展人｜廖浩哲、伏流物件、施真穎、林彥良、田修銓、顏暐倫、廖韡、林郁書、楊少鈞
統籌企劃｜秦安慧、詹雅棋
執行企劃｜傅玥敏
執行文案｜王文琳、吳靜芬
展覽空間設計｜蔡承叡
展覽影像紀錄｜吳政璋、黃覺深、楊俊嶢、吳昕聰、李宥融
葫蘆墩圳品牌設計｜中間研究室
視覺設計團隊｜郭中元、黃煒仁、吳鷗翔、陳也維
商品設計｜王子維
感謝單位｜樂誠創意、東玖紙業、光山行漆器工藝、昱盛印刷、寶泉甘味手造所、義華餅行、老雪花齋、正旺碾米工廠
